“I Do Not Care if We Go Down in History as Barbarians” is a reenactment; the quotation marks are part of its title, suggesting just how meta this film becomes. It steps back one more level into the minds of the people doing the reenacting.
“How will women’s proficiency in learning change family dynamics? . . . How will their sons view a woman’s capacity for rigorous study? Will women want a different sort of husband—one who is not threatened or intimated by an educated woman?”
A brilliant and moving exhibit at the Israel Museum pairs the Israeli astronaut Ilan Ramon, who died in the space shuttle Columbia explosion, with the obscure biblical gure Enoch, who was also an astronaut of sorts.
Austro-Hungarian Eden?; The Diaspora Strikes Back!; In Performance There Is Problem; Tact, Truth, and Tercets; Mameloshn
A new collection of Heschel's writings plucked from obscurity and presented with clarity to English readers adds to our understanding of the centrality of time in Heschel’s worldview.
Jerold Auerbach’s archly titled new study Print to Fit: The New York Times, Zionism and Israel, 1896–2016 is a well-researched and, for the most part, damning brief of the Times’s news coverage and editorial attitudes toward Zionism and Israel for over a century.
Embedding biblical allusions in her descriptions of pagan practices, Tova Reich in her new novel seems to suggest that the world is so entangled that there is no space between the sacred and profane.
Jews, Money, Myth, at London's Jewish Museum, normalizes the Jewish relationship with money without negating those factors that made this particular historical association especially fraught.
Canadian fantasy writer Guy Gavriel Kay weaves unique novels with Jewish themes but never quite escapes Tolkien's orbit.
As we mark the 80th anniversary of the fall of Poland to the Germans in World War II, a new documentary gives a glimpse inside the Warsaw Ghetto.